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Renée Fleming - Wikipedia. Renée Fleming (born February 1.

American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock.[1] Fleming has a full lyric soprano voice.[2] She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She also speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's Le nozze di Figaro, Desdemona in Verdi's.

Otello, Violetta in Verdi's La traviata, the title role in Dvořák's. Rusalka, the title role in Massenet's. Manon, the title role in Massenet's Thaïs, the title role in Richard Strauss's Arabella, the Marschallin in Der Rosenkavalier, and the Countess in Capriccio. Watch Castle In The Sky Online Full Movie.

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A National Medal of Arts and Richard Tucker Award winner, she regularly performs in opera houses and concert halls worldwide. In 2. 00. 8, she was awarded the Swedish Polar Music Prize for her services in music. She serves as Creative Consultant for the Lyric Opera of Chicago. Conductor Sir Georg Solti said of Fleming, "In my long life, I have met maybe two sopranos with this quality of singing; the other was Renata Tebaldi."[2]Early life and education[edit]A daughter of two music teachers, Fleming was born on February 1. Indiana, Pennsylvania, and grew up in Rochester, New York. She has great- grandparents who were born in Prague and later emigrated to the US.[3][4] Fleming attended Churchville- Chili High School.

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She studied with Patricia Misslin at the Crane School of Music at the State University of New York at Potsdam. While at SUNY Potsdam, she took up singing with a jazz trio in an off- campus bar called Alger's. The jazzsaxophonist. Illinois Jacquet invited her on tour with his big band, but she chose instead to continue with graduate studies at the Eastman School of Music in Rochester, New York with voice teacher John Maloy. She won a Fulbright Scholarship, which enabled her to work in Europe with Arleen Augér and Elisabeth Schwarzkopf.

She then sang at jazz clubs to pay for further studies at the Juilliard School.[5] While at Juilliard she sang in roles with the Juilliard Opera Center, appearing as Musetta in Puccini's La bohème and the Wife in Menotti's Tamu- Tamu, among others.[6][7] Her voice teacher at Juilliard was Beverley Peck Johnson.[8]Fleming first began performing professionally in smaller concerts and with small opera companies while still a graduate student at Juilliard. She sang frequently in the Musica Viva concert series sponsored by the New York Unitarian Church of All Souls during the 1. In 1. 98. 4 she sang nine songs by Hugo Wolf in the world premiere of Eliot Feld's ballet.

Adieu, which she again performed in 1. Joyce Theater.[1. In 1. 98. 6 she sang her first major operatic role, Konstanze in Die Entführung aus dem Serail, at the Salzburger Landestheater. Two years later she portrayed Thalie, Clarine and La Folie in Jean- Philippe Rameau's Platée with the Piccolo Teatro Dell Opera.[1. Her first major break came in 1. Metropolitan Opera Auditions at age 2. That same year she sang the Countess in The Marriage of Figaro in her debut with Houston Grand Opera.

She reprised the role the following year in her debut at the Spoleto Festival.[1. Also in 1. 98. 9, Fleming made her debut with the New York City Opera as Mimì in La bohème under conductor Chris Nance and her debut with The Royal Opera, London, as Dircé in Cherubini's Médée. She also was awarded a Richard Tucker Career Grant and won the George London Competition.[1.

In 1. 99. 0 she was once again honored by the Richard Tucker Music Foundation but this time with the highly coveted Richard Tucker Award.[1. That same year she made her debut with Seattle Opera in her first portrayal of the title role in Rusalka, a role that she has since recorded and reprised at many of the world's great opera houses. She also sang for the 5. American Ballet Theatre in their production of Eliot Feld's Les Noces and returned to the New York City Opera to sing both the Countess in Le nozze di Figaro and Micaela in Bizet's.

Carmen. She sang the title role in the U. S. premiere presentation of Donizetti's 1. Maria Padilla with Opera Omaha.[1.

In addition, she sang the title role in Donizetti's Lucrezia Borgia with the Opera Orchestra of New York.[1. Fleming made her Metropolitan Opera and San Francisco Opera debut portraying Countess Almaviva in Le nozze di Figaro in 1.

She was originally not scheduled to make her Met debut until the following season, but stepped in to replace Felicity Lott who had become ill.[1. She returned to the Met later that year to sing Rosina in the world premiere of John Corigliano's The Ghosts of Versailles. Continuing her progress, she made her Carnegie Hall debut performing music by Ravel with the New York City Opera Orchestra, sang Rusalka with Houston Grand Opera, and made her debut at the Tanglewood Music Festival as Ilia in Mozart's Idomeneo with Seiji Ozawa and the Boston Symphony Orchestra.[2. Fleming making her debut with Grand Théâtre de Genève as Fiordiligi in Mozart's Così fan tutte,[2. Anna in Boieldieu's La dame blanche at Carnegie Hall with the Opera Orchestra of New York and the role of Fortuna in Mozart's Il sogno di Scipione at Alice Tully Hall, as part of Lincoln Center's Festival of Mozart Operas in Concert.[2. Fleming sang the role of Alaide in Bellini's.

La straniera in a concert performance by the Opera Orchestra of New York; made her debut at the Rossini Opera Festival in the title role of Rossini's. Wrong Full Movie. Armida; and debuted with the Lyric Opera of Chicago in the title role of Carlisle Floyd's Susannah.[2. She also gave her New York City solo recital debut at Alice Tully Hall to great acclaim,[2.

Pamina in Mozart's The Magic Flute at the Metropolitan Opera, and performed Alban Berg's "Three Excerpts from Wozzeck and the "Lulu Suite" with the Metropolitan Opera Orchestra under James Levine.[2. The same season saw her singing in the world premiere of Joan Tower's Fanfare with Pinchas Zukerman and the Aspen Chamber Symphony[2. John Kander's Letter From Sullivan Ballou at the Richard Tucker Awards ceremony.[3. In June 1. 99. 3, the American soprano Arleen Auger died, a victim of cancer. Fleming performed some recital pieces during Auger's funeral in Frank E.

Campbell Funeral Chapel in New York City. During the 1. 99. Fleming sang her first Desdemona in Verdi's Otello and her first Ellen Orford in Britten's Peter Grimes, both with the Metropolitan Opera.[3. During the following summer, she made her debut at the Glyndebourne Festival as the Countess in Le nozze di Figaro.[3. In addition, she performed the role of Madame de Tourvel in the world premiere of Conrad Susa's The Dangerous Liaisons. The 1. 99. 4/1. 99. San Francisco Opera's season included her Salome in Massenet's Hérodiade.[3.

In 1. 99. 5 Fleming portrayed the Marschallin in Der Rosenkavalier with Houston Grand Opera; sang Hérodiade with the Opera Orchestra of New York at Carnegie Hall; and sang Rusalka with the San Francisco Opera.[3. Fiordiligi in Così fan tutte with Solti at Royal Festival Hall in London followed, as did a lauded recital at the Morgan Library.[3. A highlight of 1. London/Decca label, making her the first American singer in 3. Marilyn Horne.[3. The title role in Rossini's Armida at the Pesaro Festival in Italy also came in 1.

Fiordiligi in Così fan tutte at the Met followed, as did the soprano solo in the Verdi Requiem with the Metropolitan Opera Orchestra at Carnegie Hall.[3. Her debut in the role of Marguerite in Gounod's Faust came with Chicago Lyric Opera, and she sang the role of Donna Anna in Mozart's Don Giovanni with the Paris Opera at the reopening of the Palais Garnier with Sir Georg Solti. Watch Open Water 2: Adrift Online on this page.